Kendenup Rail Bridge

Here's the plein air painting I did last weekend near Kendenup...

 (Kendenup Rail Bridge. 30x20cm oil on board. © Andy  Dolphin)

It's far from perfect but it was an unusual subject or me and presented quite a number of challenges from perspective to tonal contrasts to colour to reflections. Plus, the sun was setting fast so all these things had to be dealt with without much thought.

At one point I thought I'd lost it completely but I pushed on and once I'd mapped in the major highlight areas in the foreground and on the bridge pillars, it didn't look so bad so I continued with it. From here on I added most colour and tone from memory as the scene had changed dramatically in a short time.

I hope to go back soon and try again, from a lower angle so we can see the width of the bridge.

Perfect weather

While summer was colder and wetter than we usually get down here, autumn has been spectacular so far. The last few days in particular were hot with mostly cloudless skies, day and night.

I took the opportunity this afternoon to go an paint a subject I noticed a long time ago.

This bridge carries the Great Southern railway line over a small creek near Kendenup. That trickle of water is probably more than it usually has at this time of year.

Plein air painters have a phrase "chasing the light" and I experienced it full on in this painting.

I started about 4pm, as the sun was casting a shadow of the steel bridge on the creek bed. It was 5pm by the time I finished and, as shown above, the whole scene was in the shadow of the distant trees.

I had to establish major shadow positions and angles at the start and try not to "chase the light" as the major shadow moved away from the bridge and toward me, which it did quite rapidly. I used a limited palette of four colours plus white to save time.

It was a subject I've never tackled before and quite a challenge. I might go back another day and try a slightly lower angle so I see a little of the underside of the bridge as this would give me a nice strong shadow tone and probably some warm reflected light. I hope there's still a bit of water flowing when I get there.

I'll post the finished picture when I can get a good photo of it. In the meantime, here's the plein air painting I did near Woodanilling a few weeks ago...

(Near Woodanilling. 20x22cm oil on board. © Andy  Dolphin)

Albany Workshop

Today I did a workshop for Gallery 500 in Albany, hopefully the first of many.

With ten keen and competent "students" and a wonderful workspace at Terra Verde Gallery, it was a great way to spend a few hours on a beautiful autumn morning.

I explained my approach to painting light in the landscape and everyone followed along as I demonstrated each step. With lots of good questions, exchanges of ideas and some good conversation, it was all great fun.

This is my painting, based on a digital image I came up with in my head a few months ago...

And here's a few pics of everyone hard at work as I cracked the whip...

Thanks to Brad and Jo of Gallery 500 for inviting me and to everyone who attended.

My next workshop is planned for late May. Contact Gallery 500 for details.

Warrior Desktop Wallpapers #2

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Woolorama time again

Yesterday I drove about 200km to Wagin to deliver some paintings for the Woolorama art exhibition which takes place in a couple of weeks. It was a hot, humid day with clear skies and a gentle breeze.

On the way home, I deviated down a few back roads looking for "something different" that I could stop and paint. I found it on the road to Woodanilling. The tree was interesting and the light blinding. There was space to park the car and a shady tree to stand beneath.

I had no excuse not to paint.

We normally think of shadows as cool and highlights as warm but these trees seem to have a warm, peachy glow about their trunks, even in the shaded parts. Finding a colour and tone that would convey that warmth whilst still allowing the strongly sunlit highlights to jump was an interesting challenge.

I'll post the finished image when I can photograph it properly.

Strange summer!

Large parts of Australia have been hit with extreme weather this summer. Northern Queensland was hit by floods and then perhaps the largest cyclone on record. Meanwhile, northern and central WA and Victoria have also suffered exceptional flooding. You need to visualise the size of the Australian continent to grasp the area that's been affected. It's ridiculously huge.

Whilst we haven't been personally affected by any of these events, this has been the weirdest summer we've had down south since leaving Perth over seven years ago. February is normally hot and dry, with temperatures in the forties not out of the question. This year, however, we've had the threat of a cyclone, though we're nowhere near the tropics, and of a surprise storm that devastated some southern towns but never quite made it this far. What we have had is day after day of drizzle and rain, often with gusty winds. I think we've only seen clear skies for about four days this month.

With only one week left before autumn arrives, I'm hoping for some opportunities to get out and paint some summer sunlight. In the meantime, I'm managing the odd painting indoors. Here's this week's contribution...

(Evening glow, Porongurup. 30x45cm oil on board. © Andy  Dolphin)

This painting was based on a couple of plein air works I did last month. I took a little licence with the lighting since I have seen it turn warm on previous occasions. I kept the mountains simple as I wanted the white sand track to catch the viewer's attention and for the large tree to stand out against an atmospheric backdrop.

Here are the two plein air studies I used as reference.

(Porongurup track. 20x24cm oil on board. © Andy  Dolphin)

(Summer track, Porongurup. 30x20cm oil on board. © Andy  Dolphin)

Latest

Things have been a bit hectic lately but I finally managed to get some painting done.

(Inn Kitchen, Arthur River. 70x37cm oil on board. © Andy Dolphin)

This piece was based on a small plein air painting I did in March last year and "fixed up" a couple of weeks ago.

(Karri Light. 50x37cm oil on board. © Andy Dolphin)

These will be on their way to exhibitions in the coming months.